Top videos
Imagine Dragons - Nice To Meet You | Vevo Extended Play
Our Extended Play series is tailor made for a band like Imagine Dragons. On the one hand, the pop-rockers' scale and ambition can barely be contained by the stadiums they regularly sell out. For the group behind ubiquitous hits like “Thunder,” “Radioactive,” and “Believer,” success is measured in millions and billions. Such impact can feel impenetrable, but our performance-interview series is all about pulling back the curtain a bit. And on the other hand there’s singer Dan Reynolds. An open book, he’s the band’s primary songwriter, and a fascinating one at that. We saw that up close when we linked up with ID at Conway Studios, where Reynolds, guitarist Wayne Sermon, and bassist Ben McKee created their latest album, ‘LOOM,’ under the guidance of producers Mattman & Robin. “Nice To Meet You” was the final song written for the project, but ultimately became a single. Fans will love seeing this intimate performance of the track; it’s charmingly looser than the recorded version. “It should feel like party,” said Dan in rehearsals. Celebrations have only just begun - more performances and a revealing interview is on the way.
Watch Imagine Dragons music videos: https://www.youtube.com/@ImagineDragons
Imagine Dragons:
Instagram: https://www.instagram.com/imaginedragons
X: https://twitter.com/Imaginedragons
TikTok: https://www.tiktok.com/@imaginedragons
Facebook: https://www.facebook.com/ImagineDragons
Website: https://www.imaginedragonsmusic.com/
Vevo:
Facebook: https://www.facebook.com/Vevo/
Instagram: https://www.instagram.com/vevo/
TikTok: https://www.tiktok.com/@vevo
X: https://twitter.com/Vevo
Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jennifer Heath, Radical Media
Director: Tomas Alvear
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Senior Producer, Editorial: Ronni Leverich
Producer: Stacey Branson
Producer: Daniel Lachman, Radical Media
Director of Photography: Nyk Allen
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Title Design: Nick Resnicow
Motion Design: Ashley Tao
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Editor: Andrew Ros
Director, Talent Booking: Gabby Prisciandaro
Head of Artist/Label Relations & Digital Marketing: David McTiernan
Production Manager: Kelsie Drinkwater Buchanan
1st AD: Todd Lent
2nd AD: Ted Foss
1st AC: Erick Aguilar
2nd AC: Bryam Aguilar
Steadicam Operator: Greg Arch
B-Cam Operator: Jake Vriezelaar
Chief Lighting Technician: Thomas Sigurdsson
Asst Set Lighting Technician: Vince Young
Lighting Console Programmer: Patrick Mattes
Set Lighting Technician: Zach Emick
Set Lighting Technician: Christopher Williams
Chief Rigging Technician: Geno Bernal
Asst Chief Rigging Technician: Dave Castaneda
Rigging Electric: Chase Lyons
Key Grip: Alex Picasso
Best Boy Grip: Sean Rice
Hyphenate Grip: Alex Schmidt
Grip: Nate Giordano
Grip: Tony Giordano
VTR: Ignacio Martinez Jr.
Audio Recording Engineer: Casey Graham
Tracking Engineer: Justin Glasco
Sound Mixer: Taylor Coe
Boom Operator: Charlie Mead
DIT: Dominic Siri
Talent Production Assistant: Izzy Eyre
Production Assistant: Megan Gerber
Production Assistant: Alec Killlion
Production Assistant: Conner Lovett
Production Assistant: Xavier Musti
Colorist: Matt Osborne, Company 3
Producer: Shannen Troup, Company 3
Photography: Michael Drummond
#ImagineDragons #Loom #NiceToMeetYou
Music video by Imagine Dragons performing Nice to Meet You (Live) | Vevo Extended Play. © 2024 KIDinaKORNER/Interscope Records
http://vevo.ly/AxcwTS
Conan Gray - Never Ending Song. An exclusive performance for Vevo.
On the title-track opener of his breathless third album, ‘Found Heaven,’ Conan Gray delivers his thesis more as a reminder than a statement. Whether it’s for himself or for his sizable and obsessed audience, who love the Texas native for the escapism his music provides, doesn’t really matter. When the horn blares, ‘Found Heaven’ races through a world he created out of ’80s Brit Pop, New Wave, and, hmmm… is that a little ‘Sam’s Town’-era Killers we hear? It's not until “Alley Rose” that the album takes a ballad break, which should reiterate the wicked propulsion of the first act, which comprises “Never Ending Song,” “Fainted Love,” and “Lonely Dancers.” Listeners who know the power of “Heather” - you know, the track that has 1.6 BILLION Spotify streams - will mark that their man has once again flexed his power ballad skills. Viewers of this performance will do the same, with the added bonus of seeing emotion he brings to the table. More from heaven on the way.
Subscribe to Conan Gray’s channel: https://www.youtube.com/@ConanGray
Conan Gray
instagram.com/conangray
tiktok.com/@conangray?lang=en
twitter.com/conangray
Follow Vevo
https://www.facebook.com/Vevo/
https://www.instagram.com/Vevo/
https://www.tiktok.com/@Vevo
https://twitter.com/Vevo
Executive Producer: Chris Pereira
Director: Seth Halter
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Producer: Lola Gatti
Production Designer: Tyler Jensen
Director of Photography: Tristan Gramling
Steadicam: Luke Dyra
AC: Benjamin Steen
Gaffer: Glenn Porter
A1: George Aldrin
A2: Josh Ben-Shoshan
Production Assistant: Sawyer Skipper
Senior Manager, Post Production: Dominic Siri
Editor: Kevin Rose
Graphic Design: Hannah Damico
Music & Talent: Gabby Prisciandaro + Sam Mackoff
#ConanGray #Vevo #NeverEndingSong
Music video by Conan Gray performing Never Ending Song (Live Performance) | Vevo. © 2024 Republic Records, a division of UMG Recordings, Inc.
http://vevo.ly/5a0b4x
Gracie Abrams - I Knew It, I Know You | Vevo Extended Play
The world got to know Gracie Abrams this year. More importantly, she got to know herself quite a bit better too. That’s the story behind ‘The Secret of Us,’ the singer-songwriter’s lush, confessional, and revelatory second album. The 13-song project arrived this summer in the wake of successful singles “Risk” and “Close to You,” a pair of tracks that stuck a couple toes out from under the whispery quilt of her previous work. An emergence from her shell was foreshadowed: Listeners could find jubilant synths, assertively strummed guitars, and toe-tapping tempos on 2021’s “Mess It Up” and in pockets of her debut album ‘Good Riddance.’ This is an artist who once considered songwriting and singing a “private practice.” During our Extended Play short film, the LA native reflects on how her withdrawn vocal style stemmed from a desire “not to be heard” while practicing and writing in her bedroom. These days, Gracie’s getting heard a lot. ‘The Secret of Us’ debuted at #2 on the Billboard 200. And this will be two autumns in a row that she’s opening for Taylor Swift. Followers are already responding in a huge way to these Vevo versions of songs from the album. The stirring “I Love You, I’m Sorry” take that we captured in Valentine Studios spread like wildfire across TikTok with more the 100k creates in the days following its premiere, quickly making it a high point of our young Extended Play series. Why did it resonate so well? We have a theory: fans can tell that Gracie is ready - more than ever - to show the world her true self.
Watch Gracie Abrams music videos: https://www.youtube.com/GracieAbrams
Gracie Abrams
Instagram: instagram.com/gracieabrams
Twitter: twitter.com/gracieabrams
Facebook: facebook.com/gracieabrams
Tiktok: tiktok.com/@tehegracietehe
Vevo:
Facebook: https://www.facebook.com/Vevo/
Instagram: https://www.instagram.com/vevo/
TikTok: https://www.tiktok.com/@vevo
X: https://twitter.com/Vevo
Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jordy Wax, Contrast Films
Director: Seth Halter
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Senior Producer, Editorial: Ronni Leverich
Producer: Stacey Branson
Producer: Cole Brian, Contrast Films
Producer: Anastasia Alvarado, Contrast Films
Director of Photography: Tristan Gramling
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Title Design & Motion: Nick Resnicow
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Editor: Niki Murphy
Senior Director, Talent Booking: Parul Chokshi
Director, Talent Booking: Gabby Prisciandaro
Head of Artist/Label Relations & Digital Marketing: David McTiernan
Hannah Gold - VP, Marketing, Interscope
Chelsea Dodson - Creative, Interscope
Allison Hsu - Digital Marketing, Interscope
Carl Ryan - Artist Relations, Interscope
Ynna Tugung - Commercial Partners, Interscope
Cooper Cowgill - Musical Director and Bassist
Elle Puckett - Guitartist
Casey Kalmenson - Keys and Co Musical Director
Gabe Smith - Drummer and guitarist
Tyler McCarthy - Guitarist
Morgan Paos - Violinist
Engineer/Music Producer: Vinnie Ferra
Tour Manager: Mackenzie Dunster
Backline Tech: Andrew Isbell
Backline Tech : Robert Nava
Mixing Engineer: Michael Matta
Production Supervisor: Natalia Lax
1st AD: Derek Jaeschke
1st AC: Ben Steen
2nd AC: Jack Deichert
Steadicam Operator: Renard Cheren
Gaffer: Tate McCurdy
BBE: Clay Pacatte
SLT: Tony Cantor
SLT: Paul Kane
Key Grip: Tiger Whitesides
Best Boy Grip: Sam Le Bas
Grip/Driver: Sam Satossky
A1: Maja Sazdic
A2: Joshua Ben-Shoshan
Sound Mixer: Taylor Coe
Prop Stylist: Chloe Kirk
Talent Production Assistant: Izzy Eyre
Production Assistant: Grant Collins
Production Assistant: Kasey Percich
Production Assistant: Giovanna Trujillo
Production Assistant: Alexa Babin
Production Assistant: Sam Gruenhagen
Colorist: Jacob McKee, Primary
Producer: Alex Zhao, Primary
Photographer: Abby Waisler
#GracieAbrams #IKnewItIKnowYou #VevoExtendedPlay
Music video by Gracie Abrams performing I Knew It, I Know You (Live) | Vevo Extended Play.© 2024 Gracie Abrams, under exclusive license to Interscope Records, a division of UMG Recordings, Inc.
Ariana Grande - pov (official live performance) | vevo
Let’s talk about Ariana Grande’s voice for a sec. At the start of this Official Live Performance of “pov,” the superstar reveals the strength, depth and emotional clout that her instrument is able to share at any given moment. It’s an extended passage that swoops to unexpected places while remaining centered. “You got more than 20-20 babe/made of glass the way you see through me,” hovers in the air, and then the band sweeps in and everything swells a bit more. But it’s Ari that has established the tone, Ari that’s carrying the ball. It’s masterful in a way, and the lush set design bolsters both the song’s dreamy mood and her fetching fashion statement. Fans know that “pov” is from last year’s ‘Positions’ - a career high point for a vocalist who has a natural way of totally enchanting her audience. We have other performances coming in this series. Follow our socials and you won’t miss a thing.
The Vevo official live performance of “pov” by Ariana Grande. Listen & download Positions (the album) here: http://arianagrande.lnk.to/positions
►Shop Merch: https://arianagrande.lnk.to/shop
►Follow Ariana Grande:
www.arianagrande.com
https://instagram.com/arianagrande
https://twitter.com/arianagrande
https://facebook.com/arianagrande
►Subscribe to Ariana Grande: https://arianagrande.lnk.to/subscribe
Creative Director: Micah Bickham
Creative Director: Ed Walker
Executive Producer: Micah Bickham
Executive Producer: Ed Walker
Executive Producer: Scooter Braun
Executive Producer: JP Evangelista
Executive Producer: Jordy Wax
Directed By: Micah Bickham
Creative Producer: Bram Vandermark
Design: Sydney Emery
Design: Dominique Falcone
Design: Gabriela De Oliveira
Producer: Madeline Schmidt
Producer: Haley Sliger
Music & Talent: Annie Shapiro & Sam Mackoff
Produced By: Contrast Films
Director Of Photography: Erik Sohlstrom
Lighting Design: Visual Edge
Production Design: Tyler Jensen
Editor / Producer: Austin Prahl
Color: Joseph Bicknell
Drums: Aaron Spears
Bass: Eric Ingram
Guitar: Natural
Keys: Nelson Jackson III
TM: Roshad Ismail
Makeup: Ash K Holm
Hair: Josh Liu
Style: Mimi Cuttrell
Vevo
http://facebook.com/vevo
http://twitter.com/vevo
http://instagram.com/vevo
#ArianaGrande #positions #pov
http://vevo.ly/a4TOAv
szöveg: DESH, Young Fly, Azahriah
zene: DESH, Young Fly
Rendező: Rádli Bence
Gyártásvezető: Lévai-Hangyássy Bence
Operatőr: Rádli Bence
Focus Puller: Gáll Péter
2nd AC: Bereczki Tamás
Smink: Takács Detti
Styling: Lya Vath
Stylist asszisztens: Vincze Orsolya
Vágás - Fényelés: Rádli Bence
Lány szereplő: Hegyesi Soraya
Set PA: Szalai Réka
Látványtervező: Bor Cintia
Kellék: Bor Dávid Koppány
Kellék: Énekes András
Werk: Bodnár Dávid
Picture Car: Kothencz Attila
Lovaskocsi: Tóth László - ifj. Tóth László
Transport: Szakács Zsolt
Casting: Nagy Lili
Statiszták:
Tóth György
Tóthné Antal Katalin
Radics Edit
Sipócz Judit
Bácsfainé Ferik Emőke
Horváth János
Czirják Péter
Radics János
Balogh Zalán
Gáspár Ramóna
Kovács Éva
Tankovics Katalin
Gyártóház: FINAL. Productions
https://www.final-productions.com
Külön köszönet:
Etyeki Kúria - https://etyekikuria.com
Solmotion - https://www.solmotion.hu
A dalt kiadja a Supermanagement.
Camila Cabello - DREAM-GIRLS | Vevo Official Live Performance
Listen to ‘DREAM-GIRLS’ off the new album C,XOXO - Out Now: https://camilacabello.lnk.to/CXOXOMagicCityID
C,XOXO (Magic City Edition): https://CamilaCabello.lnk.to/CXOXOMagicCityID
Shop C,XOXO Merch & Music: https://CamilaCabello.lnk.to/Store
Follow Camila Cabello
Official Website: https://www.camilacabello.com
Instagram: https://www.instagram.com/camila_cabello/
Twitter: https://twitter.com/Camila_Cabello
Facebook: https://www.facebook.com/camilacabello/
TikTok: https://www.tiktok.com/@camilacabello
Mailing List: https://CamilaCabello.lnk.to/NewsletterID
Vevo
http://facebook.com/vevo
http://twitter.com/vevo
http://instagram.com/vevo
https://www.tiktok.com/@vevo
Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jordy Wax, Contrast Films
Director: Seth Halter
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Producer: Lola Gatti
Producer: Cole Brian, Contrast Films
Director of Photography: Oliver Lanzenberg
Production Designer: Tyler Jensen
Head of Design: Sydney Emery
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Editor: Andrew Ros
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Talent Booking: Cynthia Todd
Head of Artist/Label Relations & Digital Marketing: David McTiernan
Forrest Lipton - Marketing, Interscope
Marissa Ramirez - Creative, Interscope
Ray Kurzeka, Commercial Partners, Interscope
Ynna Tugung - Commercial Partners, Interscope
Martie Berkowitz - Digital Marketing, Interscope
Kim Valderas - Artist Relations, Interscope
1st AD: Derek Jaeschke
1st AC: Ben Steen
2nd AC: Jack Deichert
Steadicam Operator: Chris Loh
Techno Tech: Garret Dorin
2nd Techno Tech: Alexandre Nunez
Head Tech: Gilbert Alverado
DIT: Justin Wells
Production Coordinator: Sacha Noelle
Gaffer: Isaac Marziali
Board Operator: Chris Vlan Lieshout
ACLT: Blake Smith
SLT: Harrison Bliss
SLT: Robert King
SLT: Alex Emmons
SLT:Harrison Segal
Key Grip: Josh Linkey
Best Boy Grip: Alexander Griffiths
Grip/Driver: Dane Harvey
Grip: Chad Herr
Grip: William Pierson
Grip: Nicholas Franchot
Grip: Zachary White
A1: Casey Graham
Art Coordinator: Danny Erb
Set Decorator: Michael Coursey Jr.
Set Designer 1: Jake Kuchenbecker
Set Designer 2: Justin Brown
Lead Man: Montana Bertoleti
Set Dresser: Eric Moore
Set Dresser: Hunter Kist
Set Dresser: Izzy Eyre
Set Dresser: Chistina Skilbred
Talent Production Assistant: Mari Arita
Production Assistant: Chayce Donavan
Production Assistant: Jake Castillo
Production Assistant: Tony Rodriguez
Production Assistant: Abel Nieves
Production Assistant: Shomari Dunham
Colorist: Jacob McKee, Primary
Producer: Alex Zhao, Primary
Photographer: Rahul Bhatt
Lyrics
We used to kick it up at the park
Now she’s all grown up
Rockin them stilettos
Jumpin’ out that Mercedes truck
It was Keisha, it was Sonia, it was Tanya, it was Monique
It was Niecy, it was Keke
Now you see her at 26, all you can say is…
And I think she knows she’s the shit
Shawty is the shit
Mini dress, low key with the cap down
No heels cause she came to throw that ass around
Bodyodyodyody ‘cuz she work out
Brought the Fuji to Uchi, fuck a phone out
Tan lines, white wine for the burn out
Worldwide but she’s reppin’ for the hometown
Flew the girls to Bahamas for a night out
It’s a short life, so we’re going all out
Play some 2000s
There on shuffle
Makes me think of us in ‘08
Mmmm, takes me back to the days
It was Keisha, it was Sonia, it was Tanya, it was Monique
It was Niecy, it was Keke
Now you see her at 26, all you can say is…
Yeah I think she knows she’s the shit
Yeah, shawty next to me is the shit, the shit
Shawty is the shit, the shit,
Always been the shit, the shit
Shawty is the - mmmm
She got stamina
Gas her up
She posin’ posin’ posin’
Camera
Watch ‘em curves, drive it
Slow, ride it
Play some 2000s
There on shuffle
Makes me think of us in ‘08
It takes me back to the days
It was Keisha, it was Sonia, it was Tanya, it was Monique
It was Niecy, it was Keke
Now you see her at 26, all you can say is…
Yeah I think she knows she’s the shit
Yeah, shawty next to me is the shit, the shit
Shawty is the shit, the shit
Always been the shit, the shit
Shawty is the - mmmm
For all the girls that are learning to be women now,
Know we keep it sexy while we figure it out
You know who it is making the world go ‘round
This one’s for the girls, if you didn’t know - well ya know now
We’re learning to be women now
Know we keep it sexy while we figure it out
You know who it is that makes the world go ‘round
If you didn’t know – well ya know now
#CamilaCabello #DREAMGIRLS #Vevo
Music video by Camila Cabello performing DREAM-GIRLS (Official Live Performance) | Vevo.© 2024 Camila Cabello
Tate McRae - hurt my feelings (Live) | Vevo Extended Play
It's a thrill to watch an artist blossom, to see them fulfill the dream of becoming an adventurous creative whose work impacts a deeply devoted audience. That's why we're tickled to continue our work with Tate McRae. Four years ago we invited the then teen to our DSCVR program, where she delivered engaging performances of "feel like shit" and "happy face." A couple years later she was back for a heart-rending piano-and-voice version of "she's all i wanna be," whose intimacy bordered on frightening. Along the way her articulation grew, her perspectives broadened, and the feels she put front and center became more powerful. YouTube channel, TikTok feed, the eloquence of each track on 'i used to think i could fly' - they all nudged her forward and deepened her relationship with her ever-grown cadre of fans. When 'THINK LATER' hit at the end of '23, it was obviously time to capture McRae in action again. Our Extended Play team worked with Tate to craft performances in settings that enhance her music and amplify her vision. The Calgary native is now an LA local, and "exes" unfolds in a shadowy SoCal bedroom where memories stand in the corners and the roller coaster of romance provides thrills both wanted and unwanted. It's the first of our Extended Play performances, so stay close - more are on their way, and each is set to have Tate share herself even further.
Watch Tate McRae music videos: https://www.youtube.com/channe....l/UCQh6LB206jF3JxpCD
Tate McRae:
Instagram: https://www.instagram.com/tatemcrae/
X: https://twitter.com/tatemcrae
TikTok: https://www.tiktok.com/@tatemcrae
Facebook: https://www.facebook.com/TateMcRaeOfficial/
Website: https://www.tatemcrae.com/
Spotify: https://open.spotify.com/artis....t/45dkTj5sMRSjrmBSBe
Vevo
https://www.facebook.com/Vevo/
https://www.instagram.com/vevo/
https://www.tiktok.com/@vevo
https://twitter.com/Vevo
Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Director: Liz Hart
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Creative Producer: Seth Halter
Producer: Lola Gatti
Head of Design: Sydney Emery
Title Design: Brian Parisi
Director, Post Production: Michael Colman
Project Manager: Dominic Siri
Director, Talent Booking: Annie Shapiro
Associate Manager, Label Relations: Shannon Pires
Artist Creative Director: Bradley Calder
Artist Management: Full Stop Management
SVP, Digital Marketing, RCA Records: Tarek Al-Hamdouni
Senior Director, Digital Marketing, RCA Records: Monica Seetharam
Musical Director / Keys: Darion JaVon
Guitar: Zach Fenske
Mix Engineer: Melvin Godfrey
Recording Engineer: Migui Maloles
Playback Engineer: Silas Wong
Stylist: Joanie Del Santo
Styling Assistant: Emily Cancelosi
Hair: Chad Wood
Makeup: Lilly Keys
Nails: Sarah Chue
AD: Derek Jaeschke
Director of Photography: Sonja Tsypin
Steadicam Operator: Luke Rocheleau
B Cam Operator: Adam Leene
1st AC: Ryan Saxe
2nd AC Jonathan Cypress
Loader: Chastin Noblett
DIT: Dominic Siri
Production Designer: Helen Morales
Art Director Nicolas Kerr
Art Coordinator: Matt Toth
Set Dresser: Drew Wall
Set Dresser / Driver: Jonathan Rodriguez
Set Dresser: Martin Voila
A1: Maja Sazdic
CLT: Francis Butler
ACLT: Leigh Mierke
Electric Driver: Steve Hodge
SLT: Josh Day
SLT: Justin Usami
SLT: Owen Jones
Key Grip: Jimmy Viera
BB Grip: Alex Lopes
Grip Driver: Marc Gonzalez
Company Grip: Bodie Hyman
Company Grip: Micah Stepanian
Shop Grip: Saúl Pérez
Key Production Assistant: Izzy Eyre
Production Assistant: Mari Arita
Production Assistant: Sam Novicki
Production Assistant: Matteo Chizzola
Editor: Austin Prahl
Colorist: David Torcivia
Photographer: Baeth
Film Processing: Fotokem
#TateMcRae #hurtmyfeelings #THINKLATER
http://vevo.ly/qV50q4
Ariana Grande - off the table ft. The Weeknd (Official Live Performance) | Vevo
If our Official Live Performances of “pov” and “safety net” reveal anything, it’s that Ariana Grande excels at her job because she’s so passionate about the results. You don’t hit the high notes, you don’t exude candor, and you don’t make pop music as moving as she does without crossing the T’s and dotting the I’s. A very cool Cali session with the look and feel of a cozy little meadow was a perfect place to turn some of the best tunes on ‘Positions’ into utterly memorable performances. Go Team Ari. The Weeknd showed up to assist his pal with the dreamy mood of “off the table.” As proven previously on tracks such as “Love Me Harder” and “Save Your Tears,” their chemistry is deep. The two stars glide through the song, helping each other reveal the nooks and crannies that are only obvious to accomplished musicians.
The Vevo official live performance of “off the table” ft. The Weeknd by Ariana Grande. Listen & download positions (the album) here: http://arianagrande.lnk.to/positions
►Shop Merch: https://arianagrande.lnk.to/shop
►Follow Ariana Grande:
https://arianagrande.com
https://instagram.com/arianagrande
https://twitter.com/arianagrande
https://facebook.com/arianagrande
►Subscribe to Ariana Grande: https://arianagrande.lnk.to/subscribe
Creative Director: Micah Bickham
Creative Director: Ed Walker
Executive Producer: Micah Bickham
Executive Producer: Ed Walker
Executive Producer: Scooter Braun
Executive Producer: JP Evangelista
Executive Producer: Jordy Wax
Directed By: Micah Bickham
Creative Producer: Bram Vandermark
Design & VFX: Sydney Emery
Design: Dominique Falcone
Design: Gabriela De Oliveira
Producer: Madeline Schmidt
Producer: Haley Sliger
Music & Talent: Annie Shapiro & Sam Mackoff
Produced By: Contrast Films
Director Of Photography: Erik Sohlstrom
Lighting Design: Visual Edge
Production Design: Tyler Jensen
Editor / Producer: Austin Prahl
Color: Joseph Bicknell
Drums: Aaron Spears
Bass: Eric Ingram
Guitar: Natural
Keys: Nelson Jackson III
TM: Roshad Ismail
Makeup: Ash K Holm
Hair: Josh Liu
Style: Mimi Cuttrell
Vevo
http://facebook.com/vevo
http://twitter.com/vevo
http://instagram.com/vevo
#ArianaGrande #Positions #offthetable
http://vevo.ly/dv6LZ2
Gracie Abrams - The Secret of Us (Short Film) | Vevo Extended Play
The world got to know Gracie Abrams this year. More importantly, she got to know herself quite a bit better too. That’s the story behind ‘The Secret of Us,’ the singer-songwriter’s lush, confessional, and revelatory second album. The 13-song project arrived this summer in the wake of successful singles “Risk” and “Close to You,” a pair of tracks that stuck a couple toes out from under the whispery quilt of her previous work. An emergence from her shell was foreshadowed: Listeners could find jubilant synths, assertively strummed guitars, and toe-tapping tempos on 2021’s “Mess It Up” and in pockets of her debut album ‘Good Riddance.’ This is an artist who once considered songwriting and singing a “private practice.” During our Extended Play short film, the LA native reflects on how her withdrawn vocal style stemmed from a desire “not to be heard” while practicing and writing in her bedroom. These days, Gracie’s getting heard a lot. ‘The Secret of Us’ debuted at #2 on the Billboard 200. And this will be two autumns in a row that she’s opening for Taylor Swift. Followers are already responding in a huge way to these Vevo versions of songs from the album. The stirring “I Love You, I’m Sorry” take that we captured in Valentine Studios spread like wildfire across TikTok with more the 100k creates in the days following its premiere, quickly making it a high point of our young Extended Play series. Why did it resonate so well? We have a theory: fans can tell that Gracie is ready - more than ever - to show the world her true self.
Watch Gracie Abrams music videos: https://www.youtube.com/GracieAbrams
Gracie Abrams
Instagram: instagram.com/gracieabrams
Twitter: twitter.com/gracieabrams
Facebook: facebook.com/gracieabrams
Tiktok: tiktok.com/@tehegracietehe
Vevo:
Facebook: https://www.facebook.com/Vevo/
Instagram: https://www.instagram.com/vevo/
TikTok: https://www.tiktok.com/@vevo
X: https://twitter.com/Vevo
Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jordy Wax, Contrast Films
Director: Seth Halter
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Senior Producer, Editorial: Ronni Leverich
Producer: Stacey Branson
Producer: Cole Brian, Contrast Films
Producer: Anastasia Alvarado, Contrast Films
Director of Photography: Tristan Gramling
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Title Design & Motion: Nick Resnicow
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Editor: Niki Murphy
Senior Director, Talent Booking: Parul Chokshi
Director, Talent Booking: Gabby Prisciandaro
Head of Artist/Label Relations & Digital Marketing: David McTiernan
Hannah Gold - VP, Marketing, Interscope
Chelsea Dodson - Creative, Interscope
Allison Hsu - Digital Marketing, Interscope
Carl Ryan - Artist Relations, Interscope
Ynna Tugung - Commercial Partners, Interscope
Cooper Cowgill - Musical Director and Bassist
Elle Puckett - Guitartist
Casey Kalmenson - Keys and Co Musical Director
Gabe Smith - Drummer and guitarist
Tyler McCarthy - Guitarist
Morgan Paos - Violinist
Engineer/Music Producer: Vinnie Ferra
Tour Manager: Mackenzie Dunster
Backline Tech: Andrew Isbell
Backline Tech : Robert Nava
Mixing Engineer: Michael Matta
Production Supervisor: Natalia Lax
1st AD: Derek Jaeschke
1st AC: Ben Steen
2nd AC: Jack Deichert
Steadicam Operator: Renard Cheren
Gaffer: Tate McCurdy
BBE: Clay Pacatte
SLT: Tony Cantor
SLT: Paul Kane
Key Grip: Tiger Whitesides
Best Boy Grip: Sam Le Bas
Grip/Driver: Sam Satossky
Key Grip: Tiger Whitesides
Best Boy Grip: Sam Le Bas
Grip/Driver: Sam Satossky
A1: Maja Sazdic
A2: Joshua Ben-Shoshan
Sound Mixer: Taylor Coe
Sound Designer: Christian Stropko
Prop Stylist: Chloe Kirk
Talent Production Assistant: Izzy Eyre
Production Assistant: Grant Collins
Production Assistant: Kasey Percich
Production Assistant: Giovanna Trujillo
Production Assistant: Alexa Babin
Production Assistant: Sam Gruenhagen
Colorist: Jacob McKee, Primary
Producer: Alex Zhao, Primary
Photographer: Abby Waisler
#GracieAbrams #TheSecretOfUs #VevoExtendedPlay
Music video by Gracie Abrams performing The Secret of Us (Short Film) | Vevo Extended Play.© 2024 Gracie Abrams, under exclusive license to Interscope Records, a division of UMG Recordings, Inc.
J Balvin - Azul (Official Live Performance) | Vevo
Limitless imagination is a defining characteristic of great musicians - J Balvin proves that. The Colombian superstar’s passion for creativity explodes past mere music-making, and heads into the realms of visual aesthetics, fashion and pop culture. In the last decade, the Medellin native has helped turn his city, and Latin America in general, into the coolest place to be in pop music. He wears Pikachu hoodies with not-even-dropped-yet Yeezys while riding the tops of charts from Canada to Chile. And from Pharrell to Bad Bunny to Colin Tilley, the urbano/reggaeton hero works with the only best. Naturally, we wanted to collaborate with him. When our teams joined forces in Miami to capture these performances, Balvin’s iridescent ideas flowed like the Magdalena. Taking inspiration from ‘Colores,’ the teams worked with Rio-based Penique Productions to turn the interior of a mansion into a vibrant representation of each song’s hue. “Azul” is the color of the blue sea, a symbol of Colombia's coast. Balvin brings us into his world, telling us about a lady so radiant that her beauty burns his eyes. Stay tuned - more coming soon.
Watch music videos by J Balvin: https://bit.ly/3dKCCSn
J Balvin
https://www.instagram.com/jbalvin
https://twitter.com/JBALVIN
https://www.facebook.com/JBalvinOficial
Vevo
http://facebook.com/vevo
http://twitter.com/vevo
http://instagram.com/vevo
Executive Producer: Micah Bickham
Director: Kyle Goldberg
Producer: Hailey Rovner
Producer: Saharah Sejour
Producer: Tomas Alvear
Production: CONTRAST Films
Director of Photography: Janssen Powers
Editor: Ramy Elsokary
Music & Talent: Gabby Prisciandaro & Julie Fernandez
#OfficialLivePerformance #JBalvin #Azul
Music video by J Balvin performing Azul (Official Live Performance) | Vevo. © 2020 UMG Recordings, Inc.
http://vevo.ly/41GeYK
Tate McRae - we're not alike (Live) | Vevo Extended Play
It's a thrill to watch an artist blossom, to see them fulfill the dream of becoming an adventurous creative whose work impacts a deeply devoted audience. That's why we're tickled to continue our work with Tate McRae. Four years ago we invited the then teen to our DSCVR program, where she delivered engaging performances of "feel like shit" and "happy face." A couple years later she was back for a heart-rending piano-and-voice version of "she's all i wanna be," whose intimacy bordered on frightening. Along the way her articulation grew, her perspectives broadened, and the feels she put front and center became more powerful. YouTube channel, TikTok feed, the eloquence of each track on 'i used to think i could fly' - they all nudged her forward and deepened her relationship with her ever-grown cadre of fans. When 'THINK LATER' hit at the end of '23, it was obviously time to capture McRae in action again. Our Extended Play team worked with Tate to craft performances in settings that enhance her music and amplify her vision. The Calgary native is now an LA local, and these performances of "exes," "we're not alike," and "hurt my feelings" unfold in a shadowy SoCal bedroom where memories stand in the corners and the roller coaster of romance provides thrills both wanted and unwanted. "I think it's taken time to figure out who Tate is," says the 20-year-old, "[these days] I've really figured out what my style is, what I like to write about, what I like to feel like when I'm on stage, how I like to feel, feeling sexy in my own body...that's when I feel happiest: when I'm truly in a moment with love and friendships and relationships - when you're fully there." Our portrait of Tate find her sharing herself even further.
Watch Tate McRae music videos: https://www.youtube.com/channe....l/UCQh6LB206jF3JxpCD
Tate McRae:
Instagram: https://www.instagram.com/tatemcrae/
X: https://twitter.com/tatemcrae
TikTok: https://www.tiktok.com/@tatemcrae
Facebook: https://www.facebook.com/TateMcRaeOfficial/
Website: https://www.tatemcrae.com/
Spotify: https://open.spotify.com/artis....t/45dkTj5sMRSjrmBSBe
Vevo
https://www.facebook.com/Vevo/
https://www.instagram.com/vevo/
https://www.tiktok.com/@vevo
https://twitter.com/Vevo
Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Director: Liz Hart
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Creative Producer: Seth Halter
Producer: Lola Gatti
Head of Design: Sydney Emery
Title Design: Brian Parisi
Director, Post Production: Michael Colman
Project Manager: Dominic Siri
Director, Talent Booking: Annie Shapiro
Senior Manager, Artist & Label Relations: Jordan Ferree
Associate Manager, Label Relations: Shannon Pires
Artist Creative Director: Bradley Calder
Artist Management: Full Stop Management
SVP, Digital Marketing, RCA Records: Tarek Al-Hamdouni
Senior Director, Digital Marketing, RCA Records: Monica Seetharam
Musical Director / Keys: Darion JaVon
Guitar: Zach Fenske
Mix Engineer: Melvin Godfrey
Recording Engineer: Migui Maloles
Playback Engineer: Silas Wong
Stylist: Joanie Del Santo
Styling Assistant: Emily Cancelosi
Hair: Chad Wood
Makeup: Lilly Keys
Nails: Sarah Chue
AD: Derek Jaeschke
Director of Photography: Sonja Tsypin
Steadicam Operator: Luke Rocheleau
B Cam Operator: Adam Leene
1st AC: Ryan Saxe
2nd AC Jonathan Cypress
Loader: Chastin Noblett
DIT: Dominic Siri
Production Designer: Helen Morales
Art Director Nicolas Kerr
Art Coordinator: Matt Toth
Set Dresser: Drew Wall
Set Dresser / Driver: Jonathan Rodriguez
Set Dresser: Martin Voila
A1: Maja Sazdic
CLT: Francis Butler
ACLT: Leigh Mierke
Electric Driver: Steve Hodge
SLT: Josh Day
SLT: Justin Usami
SLT: Owen Jones
Key Grip: Jimmy Viera
BB Grip: Alex Lopes
Grip Driver: Marc Gonzalez
Company Grip: Bodie Hyman
Company Grip: Micah Stepanian
Shop Grip: Saúl Pérez
Key Production Assistant: Izzy Eyre
Production Assistant: Mari Arita
Production Assistant: Sam Novicki
Production Assistant: Matteo Chizzola
Editor: Austin Prahl
Colorist: David Torcivia
Photographer: Baeth
Film Processing: Fotokem
#TateMcRae #werenotalike #VevoExtendedPlay
http://vevo.ly/IDwxcP
Justin Bieber - Hold On (Official Live Performance) | Vevo
Justin Bieber’s new 'Justice' album has arrived after a string of video releases that signaled the pop star's more spiritual and self-reflective concerns. “Lonely” pondered the tribulations of a life spent in the spotlight. “Holy” magnified Justin’s personal faith, comparing it with the comfort of intimacy. Musically, that track, “Hold On” and “Peaches” hinted that R&Bieber was as strong as ever. The album "delivers some of the strongest, most tightly controlled vocal performances of his career,” applauded one outlet. We fully agree, and we’re sure to hear more of that praise after our Official Live Performances drop. Backed by a great band and performing around color-changing glass monoliths, all secluded in a forest in the Los Angeles hills, Justin brought four songs from 'Justice' to a higher level. Here’s “Hold On.”
Watch the official video of "Hold On": https://youtu.be/LWeiydKl0mU
Watch Justin Bieber videos: https://www.youtube.com/channe....l/UCIwFjwMjI0y7PDBVE
Follow Justin Bieber:
http://facebook.com/justinbieber
http://twitter.com/justinbieber
http://instagram.com/justinbieber
Vevo
http://facebook.com/vevo
http://twitter.com/vevo
http://instagram.com/vevo
Sign up for Justin’s newsletter: http://justinbiebermusic.com
Executive Producer: Ed Walker
Executive Producer: Micah Bickham
Executive Producer: JP Evangelista
Executive Producer: Allison Kaye
Executive Producer: Scooter Braun
Executive Producer: Jordy Wax
Directed By: Micah Bickham
Creative Director: Ed Walker
Creative Producer: Nick DeMoura
Creative Producer: Kyle Goldberg
Producer: Ben Fuqua
Producer: Maddy Schmidt
Producer: Haley Sliger
Producer: Cole Brian
Production Support: Contrast Films
Production Design: Tyler Jensen
Director of Photography: Xiaolong Liu
Editor / Producer: Austin Prahl
VFX / Motion Design: Syd Emery
Post Production Supervisor: Michael Colman
Talent Producers: Cynthia Todd and Annie Shapiro
Artist and Label Relations: Jordan Ferree
First AD: Derek Jaeschke
Second AD: Mick Jones
Lighting Director: Josh Beard
Lighting PM: Jonathan Woelfel
Lighting Support: Visual Edge / Upstaging
Steadicam Operator: Colin MacDonnell
Technocrane Operator: Bogdan Iofciulescu
Matrix Tech: Shawn Fossen
Crane Tech: Will Pipkins
First AC: Seth Lawrence
Second AC: Sergey Nikitenko
Audio Producer / Sound Design: Casey Graham
Audio Playback: Dylan Ely
Monitor Engineer: Jim Roach
FOH MIX: Jim Ebdon
Production Manager: Chris Gratton
Gaffer: Tony Jou
BBE: Jay Carey
Electric: Arin Whitlock
Electric: Eddy Scully
Electric: Scott Summers
Electric: David Goold
Electric: Clayton Pacatte
Electric: Callum Barrass
Key Grip: Julien Janigo
BBG: Darrin Stuckwisch
Grip: Mike Prim
Grip / Driver: Kyle Hudnall
Grip: Oliver Young
Grip: Matt Markus
Grip: Fernando Arredondo
Grip: Carlos Chavez
Grip: Casey Slade
Art Director: Danny Erb
Set Designer: Nelson DeCastro
Set Dresser: Jason Smith
Set Dresser: Cameron Simmons
Set Dresser: Eric Moore
Set Coordinator: Marisa Papavero
PA: Seth Halter
PA: Earl Narajos
PA: Alex Sotak
PA: Jonathan Breaux
PA: Tyler Mitchell
PA: Anna Cogswell
Location Manager: Jason Schuyler
CCO: Christina Skilbred / Rachel Mysior
Color: Joseph Bicknell
Color Support: Company 3
#JustinBieber #JustinBieberLive #HoldOn #HoldOnLive
Music video by Justin Bieber performing Hold On (Official Live Performance) | Vevo.
http://vevo.ly/doANkk
Grupo Frontera - Bebe Dame (Vevo Studio)
El Grupo Frontera tiene una de esas historias de ensueño –cinco chicos de la ciudad fronteriza de McAllen, Texas que comenzaron su banda como un pasatiempo y, casi de la noche a la mañana, ascendieron a ser una de las agrupaciones de música norteña a seguir. No es para menos, ya que sus comienzos fueron haciendo “covers” de canciones de música popular en español en los pubs de McAllen. La canción que los convirtió en rápidas leyendas en su género fue “No Se Va”, su versión del éxito de la banda de pop-rock colombiana, Morat. A Morat le encantó, y la canción logró destronar a Bad Bunny, la estrella más grande del mundo, en las listas de Spotify. Un momento viral perfecto que posiciona a la banda súper jóven en el Billboard Hot 100, hazaña que no es muy fácil de lograr al principio de una carrera artística. El talento y el carisma de Grupo Frontera es innegable, y es una alegría verlos subir como la espuma con su música original. Tanto que Bad Bunny los reclutó para cantar “Un x100to”, que alcanzó 25 millones de reproducciones en YouTube en sus primeros dos días. Grupo Frontera entró a los estudios de Vevo en Los Ángeles para cantar sus éxitos “Bebe Dame” y “Qué Vuelvas”.
Watch music videos by Grupo Frontera: https://www.youtube.com/channe....l/UCKsN6xyJ2w8g7p4p9
Group Frontera:
https://music.apple.com/us/artist/gru...
https://open.spotify.com/artist/6Xkjp...
https://instagram.com/grupofrontera?i...
Vevo
http://facebook.com/vevo
http://twitter.com/vevo
http://instagram.com/vevo
https://www.tiktok.com/@vevo
Executive Producer: Chris Pereira
Director: Seth Halter
Production Designer: Tyler Jensen
Producer: Lola Gatti
Director of Photography: Tristan Grambling
Editor: Kevin Rose
Senior Manager, Post Production: Dominic Siri
Music & Talent: Gabby Prisciandaro & Julie Fernandez
#GrupoFrontera #BebeDame #Vevo
http://vevo.ly/VkqDcJ
Imagine Dragons - LOOM (Short Film) | Vevo Extended Play
Our Extended Play series is tailor made for a band like Imagine Dragons. On the one hand, the pop-rockers' scale and ambition can barely be contained by the stadiums they regularly sell out. For the group behind ubiquitous hits like “Thunder,” “Radioactive,” and “Believer,” success is measured in millions and billions. Such impact can feel impenetrable, but our performance-interview series is all about pulling back the curtain. And on the other hand there’s singer Dan Reynolds. An open book, he’s the band’s primary songwriter, and a fascinating one at that. We saw that up close at Conway Studios, where Reynolds, guitarist Wayne Sermon, and bassist Ben McKee created their latest album, ‘LOOM,’ under the guidance of producers Mattman & Robin. The microphones were hot during rehearsals, adding a loose and informal vibe to this short film. All three dudes were revealing. Dan touches on relationships and the Dragons core ethos. McKee calls 'LOOM' the "most focused and intentional" album of their career. Sermon energizes jam sessions. It's a uniquely holistic view of one of the world's biggest bands, powered by the earnest musical energy that only Imagine Dragons can conjure.
Watch Imagine Dragons music videos: https://www.youtube.com/@ImagineDragons
Imagine Dragons:
Instagram: https://www.instagram.com/imaginedragons
X: https://twitter.com/Imaginedragons
TikTok: https://www.tiktok.com/@imaginedragons
Facebook: https://www.facebook.com/ImagineDragons
Website: https://www.imaginedragonsmusic.com/
Vevo:
Facebook: https://www.facebook.com/Vevo/
Instagram: https://www.instagram.com/vevo/
TikTok: https://www.tiktok.com/@vevo
X: https://twitter.com/Vevo
Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jennifer Heath, Radical Media
Director: Tomas Alvear
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Senior Producer, Editorial: Ronni Leverich
Producer: Stacey Branson
Producer: Daniel Lachman, Radical Media
Director of Photography: Nyk Allen
Head of Design: Sydney Emery
Associate Creative Director: Brian Parisi
Title Design: Nick Resnicow
Motion Design: Ashley Tao
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Editor: Andrew Ros
Director, Talent Booking: Gabby Prisciandaro
Head of Artist/Label Relations & Digital Marketing: David McTiernan
Production Manager: Kelsie Drinkwater Buchanan
1st AD: Todd Lent
2nd AD: Ted Foss
1st AC: Erick Aguilar
2nd AC: Bryam Aguilar
Steadicam Operator: Greg Arch
B-Cam Operator: Jake Vriezelaar
Chief Lighting Technician: Thomas Sigurdsson
Asst Set Lighting Technician: Vince Young
Lighting Console Programmer: Patrick Mattes
Set Lighting Technician: Zach Emick
Set Lighting Technician: Christopher Williams
Chief Rigging Technician: Geno Bernal
Asst Chief Rigging Technician: Dave Castaneda
Rigging Electric: Chase Lyons
Key Grip: Alex Picasso
Best Boy Grip: Sean Rice
Hyphenate Grip: Alex Schmidt
Grip: Nate Giordano
Grip: Tony Giordano
VTR: Ignacio Martinez Jr.
Audio Recording Engineer: Casey Graham
Tracking Engineer: Justin Glasco
Sound Mixer: Taylor Coe
Boom Operator: Charlie Mead
DIT: Dominic Siri
Talent Production Assistant: Izzy Eyre
Production Assistant: Megan Gerber
Production Assistant: Alec Killlion
Production Assistant: Conner Lovett
Production Assistant: Xavier Musti
Colorist: Matt Osborne, Company 3
Additional Colorist: Dustin Wadsworth, Company 3
Producer: Shannen Troup, Company 3
Photography: Michael Drummond
#ImagineDragons #InYourCorner #VevoExtendedPlay
Music video by Imagine Dragons performing LOOM (Short Film) | Vevo Extended Play. © 2024 KIDinaKORNER/Interscope Records
http://vevo.ly/beYRDo
Doja Cat - Need To Know (Official Live Performance) | Vevo
Spend time roaming ‘Planet Her’ and you’ll know that Doja Cat’s artistic vision never sleeps. The singer’s desire to develop rich musical and visual environments for her fans is job one, and this new album, her third after ‘Amala’ and ‘Hot Pink,’ is her most fully-realized statement yet. Doja has told interviewers that she wanted to take chances, try new approaches, and create “otherworldly” sounds. Job done. The same goes for our series of Official Live Performances. After sharing creative ideas with the singer and her team, our production crew got to work in a canyon outside of LA. There, assuring that “otherworldly” request was appropriately fleshed out, we built a 48’ stage in the center of a rocky crag. Doja, banking on a combo of skills, artistry, and perseverance, did the rest. We've already presented "Love To Dream" and "Ain't Shit." Now comes the carnal coolness of "Need To Know." Doja shows us her boss side as she drives all the action in this steamy bedroom rumination, and her lithe Cali desert performance makes it all pop.
Watch music videos by Doja Cat: http://bit.ly/3azELOl
Doja Cat
https://www.facebook.com/DojaCat
https://www.instagram.com/dojacat/
http://www.dojacat.com/
Vevo
http://facebook.com/vevo
http://twitter.com/vevo
http://instagram.com/vevo
Creative Director: Micah Bickham
Executive Producer: Micah Bickham
Executive Producer: JP Evangelista
Directed By: Kyle Goldberg
Producer: Madeline Schmidt
Producer: Cole Brian
Producer: Haley Sliger
1st AD: Derek Jaeschke
Music & Talent: Annie Shapiro & Jordan Ferree
Produced By: Contrast Films
Director Of Photography: Franklin Ricart
Production Design: Wes Dogan
Design: Sydney Emery
Design: Dominique Falcone
Design: Keith Wright
Editor : Kevin Rose
Visual Effects: Sean Joseph
Color: Justin Roberts
#DojaCat #DojaCatLive #NeedToKnow
http://vevo.ly/ihFhDn
Tori Kelly - shelter. An exclusive performance for Vevo.
When a new song feels familiar to the ear upon the first listen, you know there's plenty of craft at work. Time and again, this is a trick that Tori Kelly pulls off quite gracefully. Ever since 2016's 'Unbreakable Smile' album, the songwriter has delivered a parade of titles that feel simultaneously fresh and familiar. That massive Ed Sheeran collab, the gorgeous "Should've Been Us," the passionate duet with Kirk Franklin - they're rock solid and super catchy, turning listeners into fans and fans into zealots. Once you're rolling with her, you're pretty much rolling forever. The songs on her new 'tori' EP boast the same signature craft, even as the adventurous singer leads us through some novel new territory, such as the enticingly progressive moves of "young gun" and "cut." Produced by Jon Bellion, the tracks bump up Kelly's R&B vibes, and with an athletic voice like hers, that's a realm in which she can feel at home. Great beats, daring vocals, solid tunes - 'tori' is a nice step forward. It's always been a pleasure to watch our 2015 LIFT alum in performance, and her visit to our studio proved she still comes on strong. “Check “shelter,” “alive if i die,” and “missin u - r&b edit” and let us know if you agree in the comments.”
Watch music videos by Tori Kelly: https://www.youtube.com/channe....l/UCNLYWcjPSuSrKDOmy
Tori Kelly
https://www.instagram.com/torikelly/
https://www.tiktok.com/@torikelly
https://twitter.com/torikelly
https://www.facebook.com/torikellymusic
https://www.torikellymusic.com/
Vevo
http://facebook.com/vevo
http://twitter.com/vevo
http://instagram.com/vevo
https://www.tiktok.com/@vevo
Executive Producer: Chris Pereira
Director: Seth Halter
Creative Director: Liz Hart
Producer: Lola Gatti
Production Designer: Tyler Jensen
Director of Photography: Tristan Gramling
Editor: Andrew Ros
Senior Manager, Post Production: Dominic Siri
Music & Talent: Annie Shapiro + Gabby Prisciandaro + Sam Mackoff
#ToriKelly #Shelter #Vevo
Title: Lorde - Supercut (VEVO x Lorde)
Get Lorde’s Melodrama album here:
https://Lorde.lnk.to/MelodramaAlbumID
Listen to more Lorde:
https://Lorde.lnk.to/LordeID
Buy official merch here:
https://Lorde.lnk.to/OfficialSiteID
Follow Lorde:
Website: http://lorde.co.nz/
Instagram: https://www.instagram.com/LordeMusic/
Twitter: https://www.twitter.com/Lorde
Facebook: https://www.facebook.com/LordeMusic
YouTube: https://www.youtube.com/LordeMusic
The music on Lorde's 'Melodrama' reflects the wealth of emotions the New Zealand native has experienced of late, and they’re rendered with the kind of poise we’ve come to expect from the pop superstar. Her voice, the melodies, the arrangements she’s chosen to help landscape her feelings - this critically-acclaimed second album is particularly fetching because the 20-year-old singer trusts her idiosyncrasies to fuel her eloquence. “Let’s let things come out of the woodwork,” she coos on “Homemade Dynamite.” That’s what makes the six performances of ‘VEVO X Lorde’ so powerful as well. All her best ideas naturally seep to the surface. Filmed at Electric Lady Sound Studios in New York’s West Village, the mid-August session found Lorde moving through key songs from ‘Melodrama,’ providing each with the proper temperament for the occasion. The set list features “The Louvre,” “Sober,” “Writer In The Dark,” “Supercut,” “Homemade Dynamite,” and “Hard Feelings”/ “Loveless” – she chose to spotlight some of the album’s most vivid moments. Whether backed by a small ensemble, playing the piano alone, or singing a cappella with a squad of vocalists and a beatbox, she brings invention and intensity to the performances. The soft addition of strings and brass adds to the show’s intimacy, and the drama that she’s built a rep on is central to every moment. Jack Antonoff of Bleachers, who produced and co-wrote parts of ‘Melodrama,’ arrives on “Writer In The Dark” to support his pal as well.
Director: Micah Bickham
Producer: Ed Walker, Micah Bickham, Emily Louick, Contrast Films
Editor: Senior Post
Lyrics:
[Verse 1]
In my head, I play a supercut of us
All the magic we gave off
All the love we had and lost
And in my head
The visions never stop
These ribbons wrap me up
But when I reach for you
There's just a supercut
[Pre-Chorus]
In your car, the radio up
In your car, the radio up
We keep trying to talk about us
I'm someone you maybe might love
I’ll be your quiet afternoon crush
Be your violent overnight rush
Make you crazy over my touch
[Chorus]
But it's just a supercut of us
Supercut of us
Oh it's just a supercut of us
Supercut of us
[Verse 2]
So I fall
Into continents and cars
All the stages and the stars
I turn all of it
To just a supercut
[Refrain]
'Cause in my head (in my head, I do everything right)
When you call (when you call, I'll forgive and not fight)
Because ours are the moments I play in the dark
We were wild and fluorescent, come home to my heart, uh
[Pre-Chorus]
In your car, the radio up
In your car, the radio up
We keep trying to talk about us
Slow motion, I'm watching our love
I’ll be your quiet afternoon crush
Be your violent overnight rush
Make you crazy over my touch
[Chorus]
But it's just a supercut of us
Supercut of us
Oh it's just a supercut of us
Supercut of us
But it's just a supercut of us
Supercut of us
Oh it's just a supercut of us
Supercut of us
[Refrain]
In my head, I do everything right
When you call, I'll forgive and not fight
Are the moments I play in the dark
And fluorescent, come home to my heart, uh
'Cause in my head (in my head, I do everything right)
When you call (when you call, I'll forgive and not fight)
Because ours are the moments I play in the dark
We were wild and fluorescent, come home to my heart, uh
'Cause in my head (in my head, I do everything right)
When you call (when you call, I'll forgive and not fight)
Because ours are the moments I play in the dark
We were wild and fluorescent, come home to my heart, uh
In my head, I do everything right
In my head, I do everything right
Director: Micah Bickham
Producer: Ed Walker, Micah Bickham, Emily Louick, Contrast Films
Editor: Senior Post
Watch Lorde on Vevo: https://www.vevo.com/artist/lorde
http://facebook.com/vevo
http://twitter.com/vevo
http://instagram.com/vevo
http://vevo.tumblr.com
LORDE
Website: http://lorde.co.nz/
Instagram: https://www.instagram.com/LordeMusic/
Twitter: https://www.twitter.com/Lorde
Facebook: https://www.facebook.com/LordeMusic
http://vevo.ly/aGYGxD
Billy Idol - Rebel Yell. An exclusive performance for Vevo.
You could tell by the way he raged through Generation X's "Ready Steady Go" in 1978, when punk was peaking. Billy Idol filled the performance with a blend of vehement put-down and celebratory joy. Once he split from the band and went solo, that rage, along with a sweet sneer and a lot of lust, still defined his public stance. His self-titled '82 debut contained the pounding "White Wedding." It's wildly successful follow-up, cut at NYC's Electric Lady Studios, blasted along on the power of numerous hits, including "Rebel Yell," "Catch My Fall," "Flesh for Fantasy," and "Eyes Without a Face." The singer is currently celebrating the 40th anniversary of this victory, and he came into our LA studio to knock out feisty versions of the title cut and "Eyes Without A Face." In an exclusive Footnotes interview, he also explained how the latter vid was conceived and created (think graveyards and monsters). His old pal Steve Stevens was on guitar, of course. Together they put plenty of oomph in the former and bit of evil in the latter. Check the performances, and be aware that a deluxe 40th anny version of the album awaits you wherever vinyl is sold.
Subscribe now to Billy Idol’s YouTube channel: https://billyidol.lnk.to/YTSignup
Follow Billy Idol:
Instagram: https://www.instagram.com/billyidol
Facebook: https://www.facebook.com/BillyIdol
Twitter: https://twitter.com/BillyIdol
TikTok: https://www.tiktok.com/@billyidol
Vevo
https://www.facebook.com/Vevo/
https://www.instagram.com/vevo/
https://www.tiktok.com/@vevo
https://twitter.com/Vevo
Executive Producer: Chris Pereira
Director: Liz Hart
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Producer: Lola Gatti
Production Designer: Tyler Jensen
Director of Photography: Tristan Gramling
Steadicam: Renard Cheren
AC: Benjamin Steen
Gaffer: Joel Dee
A1: Maja Sazdic
A2: Josh Ben-Shoshan
Production Assistant: Izzy Eyre
Senior Manager, Post Production: Dominic Siri
Editor: Andrew Ros
Music & Talent: Gabby Prisciandaro + Shannon Pires + Sam Mackoff
#BillyIdol #RebelYell #Vevo
http://vevo.ly/SL0AuW
Camila Cabello - B.O.A.T. | Vevo Official Live Performance
Listen to ‘B.O.A.T.’ off the new album C,XOXO - Out Now: https://camilacabello.lnk.to/CXOXOMagicCityID
C,XOXO (Magic City Edition): https://CamilaCabello.lnk.to/CXOXOMagicCityID
Shop C,XOXO Merch & Music: https://CamilaCabello.lnk.to/Store
Watch Camila Cabello videos: https://www.youtube.com/@camilacabello
Follow Camila Cabello
Official Website: https://www.camilacabello.com
Instagram: https://www.instagram.com/camila_cabello/
Twitter: https://twitter.com/Camila_Cabello
Facebook: https://www.facebook.com/camilacabello/
TikTok: https://www.tiktok.com/@camilacabello
Mailing List: https://CamilaCabello.lnk.to/NewsletterID
Vevo
http://facebook.com/vevo
http://twitter.com/vevo
http://instagram.com/vevo
https://www.tiktok.com/@vevo
Executive Producer: JP Evangelista
Executive Producer: Chris Pereira
Executive Producer: Jordy Wax, Contrast Films
Director: Seth Halter
Creative Director, Production: Liz Hart
Director, Line Production: Yanina Molina
Producer: Lola Gatti
Producer: Cole Brian, Contrast Films
Director of Photography: Oliver Lanzenberg
Production Designer: Tyler Jensen
Head of Design: Sydney Emery
Director, Post Production: Michael Colman
Senior Manager, Post Production: Dominic Siri
Editor: Andrew Ros
Director, Talent Booking: Gabby Prisciandaro
Senior Manager, Talent Booking: Cynthia Todd
Head of Artist/Label Relations & Digital Marketing: David McTiernan
Forrest Lipton - Marketing, Interscope
Marissa Ramirez - Creative, Interscope
Ray Kurzeka, Commercial Partners, Interscope
Ynna Tugung - Commercial Partners, Interscope
Martie Berkowitz - Digital Marketing, Interscope
Kim Valderas - Artist Relations, Interscope
1st AD: Derek Jaeschke
1st AC: Ben Steen
2nd AC: Jack Deichert
Steadicam Operator: Chris Loh
Techno Tech: Garret Dorin
2nd Techno Tech: Alexandre Nunez
Head Tech: Gilbert Alverado
DIT: Justin Wells
Production Coordinator: Sacha Noelle
Gaffer: Isaac Marziali
Board Operator: Chris Vlan Lieshout
ACLT: Blake Smith
SLT: Harrison Bliss
SLT: Robert King
SLT: Alex Emmons
SLT:Harrison Segal
Key Grip: Josh Linkey
Best Boy Grip: Alexander Griffiths
Grip/Driver: Dane Harvey
Grip: Chad Herr
Grip: William Pierson
Grip: Nicholas Franchot
Grip: Zachary White
A1: Casey Graham
Art Coordinator: Danny Erb
Set Decorator: Michael Coursey Jr.
Set Designer 1: Jake Kuchenbecker
Set Designer 2: Justin Brown
Lead Man: Montana Bertoleti
Set Dresser: Eric Moore
Set Dresser: Hunter Kist
Set Dresser: Izzy Eyre
Set Dresser: Chistina Skilbred
Talent Production Assistant: Mari Arita
Production Assistant: Chayce Donavan
Production Assistant: Jake Castillo
Production Assistant: Tony Rodriguez
Production Assistant: Abel Nieves
Production Assistant: Shomari Dunham
Colorist: Jacob McKee, Primary
Producer: Alex Zhao, Primary
Photographer: Rahul Bhatt
Lyrics
Lying in bed
Replaying the shit you said
Ever regret all the messing with my head?
‘Cause I’ve been thinking
You’d never give me peace of mind, so I had to give it to myself
You never think it’s the right time until I’m good with someone else
You’d probably have me for a lifetime, if you didn’t need some help
I wish,
I wish,
I wish you’d say
You were right
That I want you when you’re not mine
And just when I think I know how to live without you
I forget why I try
You were right
And I fucked up, baby, big time
And just when I think I could fall in love without you
I forget why I try
You were the best of all time
Texts I won’t send
We both know how that shit ends
Trying again
Too jealous to just be friends
‘Cuz now I’m thinking
You’d never ask me who I’m giving all of my body to now
You never ask me ‘bout these nights,
Baby I pray that you find out
You couldn’t give me your heart, boy
Go and eat your heart out
I wish you’d say
You were right
That I want you when you’re not mine
And just when I think I know how to live without you
I forget why I try
You were right
And I fucked up, baby, big time
And just when I think I could fall in love without you
I forget why I try
You were the best of all time
#CamilaCabello #BOAT #Vevo
Music video by Camila Cabello performing B.O.A.T. | Vevo Official Live Performance.© 2024 Camila Cabello
The EUROVISION SONG CONTEST 2024 in Malmö, Sweden, once again presented itself with a breathtaking stage concept and numerous technical innovations in the show area. The delegations were able to perform in all directions on a massive cross-shaped stage. The negative space above the stage was artistically enchanted with 199 C1 chain hoists. The five central video cubes were playfully surrounded by 20 massive light pods equipped with Ayrton Rivale moving lights. Of course, this was only a part of the well over 2,000 light fixtures that were used. Ola Melzig (Senior Technical Director), Florian Wieder (Set Designer) and above all Fredrik Stormby (Light & Screen Content Designer) explain for EventElevator the challenges and tools they used to ensure that SVT and EBU were able to thrill millions of viewers worldwide. Furthermore, Head of Sound Oskar Johannson adds some facts about the sound setup in the Malmö Arena.
Check out the individual performances of the delegations via the EUROVISION YouTube channel. It's worth it, because the camera work is some of the best ever seen at EUROVISION SONG CONTEST.
► More informations and photos on our website EventElevator: https://eventelevator.de/storys/esc-malmoe/
► Eurovision Song Contest: https://eurovision.tv
► Wieder Design (Setdesign): http://www.wiederdesign.com/
► Green Wall Designs (Light & Screen Content Design): https://greenwall.se/
► M&M Production (Production Management): https://m-m-pr.com/
► NEP (Broadcasting): https://www.nepgroup.com/
► OperTec (Special Cams): https://opertec.tv/
► Creative Technology (Licht, Video, Audio): https://ct-group.com/de/
► [LITE]COM (Rigging): https://litecomgroup.com/
► PYROMAN (SFX und Pyrotechnik): https://pyro.fi/en/
► TPO (Network): https://www.tpo.se/
► Riedel (Communication): https://www.riedel.net/de/
► The Powershop (Power Supply): https://www.thepowershop.eu/
► SVT (Setbau): https://www.svtplay.se/
► Follow us on Facebook: https://www.facebook.com/eventelevator
► Follow us on Instagram: https://www.instagram.com/eventelevator/
► Follow us on twitter: http://twitter.com/eventelevator
► Follow us on LinkedIn: https://www.linkedin.com/in/eventelevator/
✔ Subscribe: https://bit.ly/2P88Ltv
© EventElevator 2024
